Dec
2
to Dec 3

Wetplate Photography Workshop (2 Days)

6d62574534847655-ashley4.jpg

In this introductory workshop, you will learn how to create in-camera tintypes using the wet collodion process. Students will learn the history of the process, techniques of preparing the plate, how to pour collodion, exposing, developing, fixing and varnishing.

Invented in 1851, the wet collodion process was used widely throughout the end of the 19th century. Each image is handmade by the photographer. The metal plates are exposed in camera while still wet, developed and fixed in a darkroom. Each student will have the chance to photograph a portrait and a still life during the workshop.

Galina Kurlat was born in Moscow in 1981 and emigrated to the United States in 1989. She received her Bachelor of Media Arts Degree from Brooklyn’s Pratt Institute in 2005. She currently lives and works in Brooklyn, NY. Her work has been exhibited internationally and is in a number of public and private collections, including the Museum of Fine Arts, Houston, TX and The Harry Ransom Center, Austin, TX.

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Dec
2
1:00 PM13:00

Crash Course: Pinhole Photography

pinhole+thumbnail.jpg

With MAX KRISTULA-GREEN

What to bring

Nothing

Prerequisites

Knowledge of darkroom film processing or printing techniques would be helpful but not required. 

$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Description

Go back to the basics and learn about the origins of photography. The camera obscura, or pinhole camera, strips photography of all the fancy gears and gadgets breaking it down to its bare bones: a black box, a hole, and light. Learn how photographers have achieved certain effects by creating their own handmade cameras and make your own! 

In this workshop you'll learn the aesthetics of pinhole photography and construct your own pinhole camera using a simple cardboard box. We'll venture outside to capture images and then develop them in the darkroom. You'll walk away with your own hand-made camera and impressionistic views that hark back to the very beginning of photography.

Who should take this class

Anyone interested in analog and alternative photographic processes.

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Dec
3
5:00 PM17:00

Crash Course: Color Darkroom

 

Prerequisites:

None, although we do recommend taking Crash Course: Darkroom Basics, which introduces students to the Black & White darkroom.


Materials included:

Color photographic paper
All darkroom chemistry



$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Who should take this class:
The Analog Color Darkroom workshop is for anyone interested in learning about the color photography printing process in the traditional color darkroom. If you're a digital shooter looking to discover the unparalleled dynamic range, smooth tonality and dreamy rich colors of analog negative film and paper, this is the perfect introductory class for you. 

What you will learn:
The class will cover basic enlarger operation, contact printing of negatives, as well as color filtration to balance out color casts and achieve a great-looking print. Additionally we'll discuss proper darkroom etiquette and safety so that you'll be able to use the color darkroom with confidence. In a few short hours, you'll be well on your way to creating luminous photographic enlargements with that extra magic that only analog technology can provide.

What to bring:
We'll introduce you to the printing of contact sheets and enlargements exclusively from pre-processed negatives. Shot, undeveloped film can be dropped off and picked up at Gowanus Darkroom or your nearest photo lab (you can request "C-41 process-only" which will yield the finished negatives). Alternatively, you can drop off your film at least 2 days in advance at Bushwick Community Darkroom and they can process your negatives as well. 

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Dec
10
10:00 AM10:00

Analog Film Lab

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

Who should take this class:

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn:

This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring:

Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

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Dec
10
1:00 PM13:00

Crash Course: Pinhole Photography

pinhole+thumbnail.jpg

With MAX KRISTULA-GREEN

What to bring

Nothing

Prerequisites

Knowledge of darkroom film processing or printing techniques would be helpful but not required. 

$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Description

Go back to the basics and learn about the origins of photography. The camera obscura, or pinhole camera, strips photography of all the fancy gears and gadgets breaking it down to its bare bones: a black box, a hole, and light. Learn how photographers have achieved certain effects by creating their own handmade cameras and make your own! 

In this workshop you'll learn the aesthetics of pinhole photography and construct your own pinhole camera using a simple cardboard box. We'll venture outside to capture images and then develop them in the darkroom. You'll walk away with your own hand-made camera and impressionistic views that hark back to the very beginning of photography.

Who should take this class

Anyone interested in analog and alternative photographic processes.

View Event →
Jan
20
to Jan 21

Wetplate Photography Workshop (2 Days)

6d62574534847655-ashley4.jpg

In this introductory workshop, you will learn how to create in-camera tintypes using the wet collodion process. Students will learn the history of the process, techniques of preparing the plate, how to pour collodion, exposing, developing, fixing and varnishing.

Invented in 1851, the wet collodion process was used widely throughout the end of the 19th century. Each image is handmade by the photographer. The metal plates are exposed in camera while still wet, developed and fixed in a darkroom. Each student will have the chance to photograph a portrait and a still life during the workshop.

Galina Kurlat was born in Moscow in 1981 and emigrated to the United States in 1989. She received her Bachelor of Media Arts Degree from Brooklyn’s Pratt Institute in 2005. She currently lives and works in Brooklyn, NY. Her work has been exhibited internationally and is in a number of public and private collections, including the Museum of Fine Arts, Houston, TX and The Harry Ransom Center, Austin, TX.

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Jan
1
12:00 PM12:00

Book a Private Lesson

Book a private lesson in either Film Processing or Darkroom Printing (dates flexible).

Film Processing Lesson:

1 Hour
Learn to process one roll of black and white film from start to finish.
Chemistry included

$100

Darkroom Printing Lesson:

2 Hours
Learn to print one black and white image from a negative, and take home one archival print.
Chemistry included.

$150

Color Printing Lesson:

2 Hours
Learn to enlarge and print from a negative and take home the prints.  Chemistry included.

$180

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Nov
4
10:00 AM10:00

Analog Film Lab

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

Who should take this class:

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn:

This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring:

Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

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Oct
29
10:00 AM10:00

Motion Picture Hand Processing B&W Reversal Film

Prerequisites:  **Must be enrolled in Super 8mm Filmmaking**

Participants should bring an exposed roll of film and wear old clothing.

Sunday October 29 from 10am-4pm, Hand Processing @ Gowanus Darkroom
+ Free Screening Party on Sunday November 19 at 7PM @ CPR
Taught by: Akiko Maruyama TA: Alex Faoro

Hand processing fosters a particularly intimate understanding of film as a material object and can produce a variety of effects that cannot be achieved by professional lab services. In this one-day workshop, you will be given all of the information necessary to start your own home operation. We will go over key chemical reactions, mix our own chemistry, and each student will take a 100’ roll of film through each stage of the reversal process. All chemicals and equipment will be provided. Films will be ready to screen at the end of the session.  Finished projects will be presented after the conclusion of the course at our screening party.

INCLUDES:  All chemistry, development equipment, access to processing facilities and instruction packet. Participants should bring an exposed roll of film (2 X S8 MM 50' cartridges, 1 X 16MM daylight spool, 2 X 35MM Still photos, or 1 X 120 roll) . HD video transfer of film by Metro Post, online hosting of finished film, local & international film festival entry waivers and inclusion in the MONO workshop screening party.

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Oct
24
6:30 PM18:30

Crash Course: Color Darkroom

 

Prerequisites:

None, although we do recommend taking Crash Course: Darkroom Basics, which introduces students to the Black & White darkroom.


Materials included:

Color photographic paper
All darkroom chemistry



$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Who should take this class:
The Analog Color Darkroom workshop is for anyone interested in learning about the color photography printing process in the traditional color darkroom. If you're a digital shooter looking to discover the unparalleled dynamic range, smooth tonality and dreamy rich colors of analog negative film and paper, this is the perfect introductory class for you. 

What you will learn:
The class will cover basic enlarger operation, contact printing of negatives, as well as color filtration to balance out color casts and achieve a great-looking print. Additionally we'll discuss proper darkroom etiquette and safety so that you'll be able to use the color darkroom with confidence. In a few short hours, you'll be well on your way to creating luminous photographic enlargements with that extra magic that only analog technology can provide.

What to bring:
We'll introduce you to the printing of contact sheets and enlargements exclusively from pre-processed negatives. Shot, undeveloped film can be dropped off and picked up at Gowanus Darkroom or your nearest photo lab (you can request "C-41 process-only" which will yield the finished negatives). Alternatively, you can drop off your film at least 2 days in advance at Bushwick Community Darkroom and they can process your negatives as well. 

View Event →
Oct
1
10:00 AM10:00

Analog Film Lab

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

Who should take this class:

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn:

This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring:

Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

View Event →
Sep
24
10:00 AM10:00

Motion Picture Hand Processing B&W Reversal Film

Participants should bring an exposed roll of film and wear old clothing.

September 24 from 10:00 - 4:00PM
+ Screening Party on Sunday, October 15 at 7PM
Taught by: Jorge Mazzini and Brandon Rowe

PRICE:  $85
** $65 when combined registration with Intro to 16mm B&W or Super-8mm Filmmaking

Hand processing fosters a particularly intimate understanding of film as a material object and can produce a variety of effects that cannot be achieved by professional lab services. In this one-day workshop, you will be given all of the information necessary to start your own home operation. We will go over key chemical reactions, mix our own chemistry, and each student will take a 100’ roll of film through each stage of the reversal process. All chemicals and equipment will be provided. Films will be ready to screen at the end of the session.  Finished projects will be presented after the conclusion of the course at our screening party.

INCLUDES:  All chemistry, development equipment, access to processing facilities and instruction packet. Participants should bring an exposed roll of film (2 X S8 MM 50' cartridges, 1 X 16MM daylight spool, 2 X 35MM Still photos, or 1 X 120 roll) . HD video transfer of film by Metro Post, online hosting of finished film, local & international film festival entry waivers and inclusion in the MONO workshop screening party.

View Event →
Sep
20
6:30 PM18:30

Crash Course: Color Darkroom

 

Prerequisites:

None, although we do recommend taking Crash Course: Darkroom Basics, which introduces students to the Black & White darkroom.


Materials included:

Color photographic paper
All darkroom chemistry



$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Who should take this class:
The Analog Color Darkroom workshop is for anyone interested in learning about the color photography printing process in the traditional color darkroom. If you're a digital shooter looking to discover the unparalleled dynamic range, smooth tonality and dreamy rich colors of analog negative film and paper, this is the perfect introductory class for you. 

What you will learn:
The class will cover basic enlarger operation, contact printing of negatives, as well as color filtration to balance out color casts and achieve a great-looking print. Additionally we'll discuss proper darkroom etiquette and safety so that you'll be able to use the color darkroom with confidence. In a few short hours, you'll be well on your way to creating luminous photographic enlargements with that extra magic that only analog technology can provide.

What to bring:
We'll introduce you to the printing of contact sheets and enlargements exclusively from pre-processed negatives. Shot, undeveloped film can be dropped off and picked up at Gowanus Darkroom or your nearest photo lab (you can request "C-41 process-only" which will yield the finished negatives). Alternatively, you can drop off your film at least 2 days in advance at Bushwick Community Darkroom and they can process your negatives as well. 

View Event →
Sep
16
to Oct 27

Essential Portraiture (6 Weeks)

With DAVID SAMUEL STERN

Saturday, June 10, 2017 - Saturday, July 15th

2:00pm 5:00pm
Meets 6 consecutive weeks

 

$350

$315 /Basic Members
$280 /Emerging Members
$245 /Pro Members

Description

Whether your subject is a pauper or a president, everyone loves a good portrait. But in this photographic genre, there’s far more than meets the eye. This six-session, challenge-based course enhances your portrait skills through understanding and maximizing natural light, continuous (hot) lights, composition, lens effects, and working with human subjects. We'll delve deep into what it means to be creative in photographic portraiture, including how to overcome equipment limitations in the DIY studio, and develop basic post-production skills to complete the job.

Who should take this class?

If you love taking pictures of people but want to up your portrait game, this class is for you. You’ve been learning the basics, perhaps you’ve even taken some of our intro classes, and now you’re ready to take the next step towards becoming a more skilled and professional taker of portraits.

What to bring

Just bring your camera and any additional lenses you may have. Cameras must be able to be controlled in manual mode.

Prerequisites

Students should have a foundational knowledge of manual exposure controls.

View Event →
Sep
14
6:30 PM18:30

Crash Course: Developing Film

 

Prerequisites:
None

$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Who should take this class:
There's nothing quite like good black-and-white film for smooth continuous tone and unmistakable vibe.  Whether you're a recent acquaintance or long-time lover of analog, you'll probably want to learn the fascinating physical process of developing your own black-and-white film.  Through careful selection and manipulation of chemistry, you can actually achieve the most creative variation of your images at the film developing stage, and you'll feel like quite the alchemist as well.

What you will learn:
In this class you'll learn to properly load a film reel and development tank, taking care to do so in a completely dark environment  We'll show you have to negotiate the multi-step film development process, including when to make changes to produce different results, and what to watch out for to avoid problems.  And we'll show you how to properly wash, dry and store your processed negatives for archival purposes, so that they still look great many decades from now.

What to bring:
Bring a roll or two of fully-shot black-and-white film.  This can be 35mm or medium format, but it must be traditional process black-and-white (not Kodak T400CN or Ilford XP2, which use color chemistry to produce black-and-white results)

View Event →
Sep
10
10:00 AM10:00

Analog Film Lab

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

Who should take this class:

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn:

This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring:

Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

View Event →
Jul
23
10:00 AM10:00

Analog Film Lab

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

Who should take this class:

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn:

This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring:

Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

View Event →
Jun
10
to Jul 15

Essential Portraiture (6 Weeks)

With DAVID SAMUEL STERN

Saturday, June 10, 2017 - Saturday, July 15th

2:00pm 5:00pm
Meets 6 consecutive weeks

 

$350

$315 /Basic Members
$280 /Emerging Members
$245 /Pro Members

Description

Whether your subject is a pauper or a president, everyone loves a good portrait. But in this photographic genre, there’s far more than meets the eye. This six-session, challenge-based course enhances your portrait skills through understanding and maximizing natural light, continuous (hot) lights, composition, lens effects, and working with human subjects. We'll delve deep into what it means to be creative in photographic portraiture, including how to overcome equipment limitations in the DIY studio, and develop basic post-production skills to complete the job.

Who should take this class?

If you love taking pictures of people but want to up your portrait game, this class is for you. You’ve been learning the basics, perhaps you’ve even taken some of our intro classes, and now you’re ready to take the next step towards becoming a more skilled and professional taker of portraits.

What to bring

Just bring your camera and any additional lenses you may have. Cameras must be able to be controlled in manual mode.

Prerequisites

Students should have a foundational knowledge of manual exposure controls.

View Event →
May
7
10:00 AM10:00

Analog Film Lab

With MAX KRISTULA-GREEN

Prerequisites:
If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up!  or Digital Photo I, or at the very least Crash Course: Camera Basics, prior to taking this class.

Materials provided (included in cost of the class):
- 1 roll of Kodak Tri-X black and white film (400 ISO, 24 exp)
- All resin-coated photographic paper
- All development chemistry
- Optional camera rental available

$195.00

$175.50 /Basic Members
$156 /Emerging Members
$136.50 /Pro Members

 

Who should take this class
Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What you will learn
This 8-hour intensive workshop will combine shooting, processing, developing and printing into one action-packed day.  

First we’ll meet at the Darkroom (check the location of your class in the left column) and we'll demonstrate how to properly load film and set up your camera. You'll get a refresher on shooting mechanics and using your light meter, then we'll each shoot a roll of film in the surrounding neighborhood. From there you’ll learn how to process the exposed film using a film reel and developing tank, and start making contact prints.  Finally, we’ll be enlarging negatives onto traditional darkroom paper, so that you can take home beautiful 8x10 prints that you’ve made entirely on your own.

What to bring
Bring your old film-based SLR if you have one.  We do have a limited number of cameras available for rental at $10 per class.  Since this is an all-day class we will have a lunch break, so you might want to bring lunch.  There are restaurants and cafes nearby as well.

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Apr
30
6:00 PM18:00

Art Critiques

Gowanus Darkroom will be hosting our first public critique!  Participants will be encouraged to bring work, talk a bit about themselves, and introduce their work.  The floor will then be opened up to comments and critique.  We will limit artists to 8 per evening, with a time limit of 15 minutes.  Order of presentation is designated on a first come, first serve basis.  Event is BYOB so feel free to bring any food, snacks, or drinks you'd like.  Open to the public!  Anyone can come standby and offer their critiques regardless of whether they are showing or not.

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Apr
26
to Jul 12

Complete Analog Darkroom (12 Weeks)

With RICHARD STEINBACH

$1,095.00

$985.50 /Basic Members
$876 /Emerging Members
$766 /Pro Members

6:30PM - 9:30PM
Meets 12 consecutive weeks

Description

Fully immerse yourself in the Analog process with this rigorous 12-week course.  From analog camera shooting mechanics in both 35mm and medium format, to processing film, to printing in both black & white AND color, and learning skills to adjust tonality, color-correct prints, formulate chemistry and use alternative processes to generate physical art objects.  

Who should take this class

Intermediate and experienced digital shooters who want to try shooting film.  Anyone interested in the overall process of analog film capture, processing and printing in a classic darkroom setting.

What to bring

Bring your film-based SLR, medium format, Holga, or whatever you have.  We do have a limited number of cameras available for rental at $10 per session.

Prerequisites

If you've never taken photos in manual mode, we highly recommend taking 1 Day Workout: Camera Warm-Up! or Digital Photo I, or at the very least , Crash Course: Camera Basics prior to taking this class.

View Event →
Apr
25
6:30 PM18:30

Crash Course: Developing Film

With MAX KRISTULA-GREEN

Prerequisites:
None

$85.00

$76.50 /Basic Members
$68 /Emerging Members
$59.50 /Pro Members

Who should take this class:
There's nothing quite like good black-and-white film for smooth continuous tone and unmistakable vibe.  Whether you're a recent acquaintance or long-time lover of analog, you'll probably want to learn the fascinating physical process of developing your own black-and-white film.  Through careful selection and manipulation of chemistry, you can actually achieve the most creative variation of your images at the film developing stage, and you'll feel like quite the alchemist as well.

What you will learn:
In this class you'll learn to properly load a film reel and development tank, taking care to do so in a completely dark environment  We'll show you have to negotiate the multi-step film development process, including when to make changes to produce different results, and what to watch out for to avoid problems.  And we'll show you how to properly wash, dry and store your processed negatives for archival purposes, so that they still look great many decades from now.

What to bring:
Bring a roll or two of fully-shot black-and-white film.  This can be 35mm or medium format, but it must be traditional process black-and-white (not Kodak T400CN or Ilford XP2, which use color chemistry to produce black-and-white results)

View Event →
Apr
23
6:00 PM18:00

Non Toxic Processing Workshop


Mono No Aware X Gowanus Darkroom Non-Toxic Processing Mixer


Gowanus Darkroom and Mono No Aware will be hosting a FREE non-toxicfilm processing mixer/workshop on 4/23/17.  Bring a roll of film to process using coffee and beer.

Process your black and white film using beer and coffee - ALL FORMATS WELCOME! Participants will learn how to mix their own negative processing chemistry using a combination of consumable items from the grocery store. We’ll go over basic non-toxic processing options, then mix a synthesized solution based on the classic Caffenol (coffee) recipe and a beer processing “soup” developed by friend of the org (and master chemist) Dagie Brundert. All ingredients, equipment, and safety gear will be provided - all you have to bring is an exposed roll/cartridge of black and white film, still or motion picture.

Non Toxic Processing.
SUNDAY:  April 23rd, 6:00 – 9:00 PM

LOCATION: Gowanus Darkroom
160 Seventh Street, Unit #212, Brooklyn, NY 11215

INSTRUCTORS: TBD

PRICE:  *FREE*

INCLUDES:  All chemistry, development equipment, access to processing facilities and instruction packet. Participants should bring an exposed roll of film.

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